Issue 14.1 (Spring 2018)

Articles

Shannon Draucker, “Performing Power: Female Musicianship and Embodied Artistry in Bertha Thoams’s The Violin-Player”

Carol Erwin, “(Un)Manliness: Feminizing Violence and Emasculating the Working-Class Male in Punch”

Laura Franey, “Terror and Liberation on the Railway in Women’s Short Stories of 1894”

Lesley Goodman, “The Shades of Our Grandmothers: New Women, Old Mothers, and Generational Thinking”

Reviews

Susan Civale, “Distortions in Women's Life Writing in the Long Nineteenth Century.” Review of Brenda Ayers’s Biographical Misrepresentations of British Women Writers: A Hall of Mirrors and the Long Nineteenth Century.

Maria Luigia Di Nisio, “‘Dare to think ye free’: Being a Woman of Letters in late-Victorian England.” Review of James Diedrick’s Mathilde Blind. Late-Victorian Culture and the Woman of Letters.

Charlotte Mathieson, “Realism’s Reach: The Transnational Form of Nineteenth-Century Fiction” Review of Lauren M. E. Goodlad’s The Victorian Geopolitical Aesthetic: Realism, Sovereignty, and Transnational Experience.

Caroline Reitz, “‘Disruptive Energies and the Domestication of Time’.” Review of Maria Damkjaer’s Time, Domesticity and Print Culture in Nineteenth-Century Britain.