Issue 16.1 (Spring 2020)

Articles

Sam Holmqvist, “Reading a History of Trans* Literature: Narratives of Transing in Sarah Grand’s “The Tenor and the Boy””

Alisha R. Walters, ““The tears I could not repress, rolling down my brown cheeks”: Mary Seacole, Feeling, and the Imperial Body”

Stephanie Palmer, “Compromised Conclusions: Market Considerations and the Open Ending in New Woman Short Stories”

Lindsey Carman Williams, “The Impact of the Female Medium’s Cultural Authority in Rhoda Broughton’s Ghost Stories”

Reviews

Richa Dwor, review of Karen A. Weisman's Singing in a Foreign Land: Anglo-Jewish Poetry, 1812—1847

Michael Kramp, review of Laura Eastlake's Ancient Rome and Victorian Masculinity

Rebecca Weaver-Hightower, review of Melissa Edmundson's Women’s Colonial Gothic Writing, 1850-1930: Haunted Empire